How to Draw Hair Realistically!: Step by Step Tutorial
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One good trick is to look at your image from a slight distance in a mirror. Any mistakes in proportion and shading that you did not notice will suddenly jump out at you. Another really important aspect to pay attention to is to become acutely aware of how much pressure you should apply to achieve different tones in pen.
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We also know that highlights are most likely to be found on the top of the head, closest to a light source above. If the thought of drawing hair overwhelms you - you're not alone. It's easy to see all of the details and textures within hair and assume that it must be difficult to capture it all in a drawing. But it doesn't have to be overwhelming and we can simplify the process, making drawing hair a bit more manageable. Iam working from general to specific as I draw the hair. For example,about halfway down the hair on the left, light illuminates all threesections of hair.
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Hair is affected by gravity and, on the contrary, on the top of the head, the hair on the sides falls down. The small volume it can have is because of bouncing with the ears. Use several short, curved strands to give it a bit more volume but keep it close to the head. On the sides of the hairline, add small soft lines to hint at the beginning of the hair. Use the diagram below as a guide if you’re feeling lost. For this section, we will use our 4B pencil, powdered graphite, brush, blending stump, and kneaded eraser.
Step Three: Draw long locks of hair
If we only had the silhouette, we wouldn’t notice all these details, thus I need to contrast the different sections in order to highlight these shapes. Finally, when you've fleshed out your sketch enough, it is time to go over it in ink. So, using your pen of choice (we recommend a technical pen, like Sakura Pigma Microns), slowly go over the lines. If you want to add some variation to the hair texture, then try mixing up your pens with broader and finer types. But a change in your approach can help you leave those fears behind. In this tutorial, I will introduce 4 simple steps for drawing realistic looking hair.

To create the impression of linear texture, we'll apply the medium using directional strokes that flow over the form of each "clump" of hair. These lines are sometimes referred to as cross contour lines. We must consider the values and tones that are observed within the hair and include them in our drawing in order to communicate the volume of the hair. This means that we're likely to find the darkest darks, the lightest lights, and the middle values all within a head of hair. It clearly doesn't make sense to draw every strand of hair.
Step 2: Define the hair shape
We understand forms because of the manner in which light interacts and behaves on them. Therefore, we understand forms in a drawing through the use of value. The placement of dark and light values on a subject inform us of the intensity of light and the nature of the form. We'll draw the contour lines lightly and loosely with a harder and lighter, 2H pencil. We're careful not to place too much pressure on this harder pencil as this can lead to indenting in the surface of the paper.
However, just because Iam moving to value drawing does not mean that the block-in stage isover. Add more layers of strokes over top of the first one to smooth out the gradients and darken the overall shading. Again be sure to leave some distance between the strokes to give an effect of individual hairs. Once again as in the two previous examples apply an initial layer of strokes the define the light, medium and dark areas of the hair.
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This is a good time to step back from the drawing,evaluate, and plan my next steps. Thelightest value can be left as the white of the paper, and the darkestvalue is just to the right of the face (our right, the model's left). Thisis where I will stop working on my block-in with line. It doesn't makemuch sense to go into more detail at this point because I will lose someof my drawing when I start drawing in values.

For the purposes of this drawing the light falls from the left, so carefully apply some black strokes there to create the illusion of volume. We don’t want to darken all of the hair at once, but to proceed with extreme caution and constantly refer to the reference image. Start by applying these marks gradually, allowing your pencil marks to serve as a guide. Keep in mind that hair is simply a collection of lines that are flowing in one direction.
Before joining acrylgiessen In 2020, Matthew worked part-time as an art teacher at Reddford Blue Hills High school. Matthew creates drawing and painting tutorials for acrylgiessen and captures them not only photographically and in written form. When mastering how to draw hair, we should make sure to review our work one final time and compare it with the reference image. Review your drawing and make any further strokes you think are required. Near the top of the head, where the hairs emerge, we can also discern these little details.
Each hair comes from a specific point and grows in a different direction. Even when the hair is very long, the gravitational force eventually brings it down. If you want to create a shiny look or replicate harsh lighting, try to keep the highlights fairly clean. You can add more or less detail depending on the level of realism you are trying to achieve. Draw bigger curls within the outline, following the direction you've established before. Draw the outline of the strokes surrounding the face.
To get the most out of this lesson, take my free Mini-Course on the essential concepts of realistic drawing. These video lessons will give you a framework, or 'order of operations', for approaching drawings of any subject matter, including hair. Due to it’s various curves and folds curly hair will tend to have a much more random distribution of these. Same as the other example begin by drawing an outline of the entire shape of the head. Finish the line drawing by adding the smallest set of details.
Both circles have a layer around them, but A looks more like a flat shape, whereas B looks to be more spherical. Click here to learn more about light and how to shade. Shade the haircut in a more definite way, drawing shadows between groups of curls. Close the shape of each strand by mirroring its wave and adding a pointed tip.
In the example below, a combination of graphite and white charcoal is used to develop the drawing. The drawing is completed on toned paper which makes the white charcoal applications stand out. The image below is from Portrait Drawing The Smart Way. Any locations within the hair that need to be lighter can be rendered using an eraser.
All of the examples in this tutorial will use fairly generic lighting with no particularly strong one directional light source. The other styles have shortened instructions to avoid repetition. Add some loose small, and long hairs with your mechanical pencil for an extra touch of realism and fluidity.
Drawing the shapes specific to your subject creates a likeness.This is true no matter what you draw, whether it is a still life, portrait or figure. Erase the hairline and parts of the head covered by the hair once done. Finish the drawing by further darkening and smoothing out the overall shading. Same as the previous example begin by making an outline drawing of the head. If you are going to be follows this tutorial it’s best to do so using pencil and paper.
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